Gold Karat & Alloy Mixing Calculator

Karat is a ratio, not a grade: it is the number of parts of gold in 24 parts of metal by weight. This calculator converts between karat, fineness and percent gold, works out the karat you get when you melt two lots of different purity together, and tells you exactly how many grams of master alloy — or of fine gold — to add to land on a target karat. Enter what is on the bench, pick the karat you want to pour, and the addition is calculated from the gold content, not guessed from the stamp.

Calculator

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Inputs this calculator takes, with typical values
InputWhat to enterExample
Mass of the first lotWeigh the metal you actually have on the bench, clean and dry, before melting.20 g
Karat of the first lot24 is fine gold. Use the assay figure if you have one, not the stamp, on unknown scrap.24 K
Mass of the second lotLeave at 0 if you are alloying a single lot rather than combining two.0 g
Karat of the second lotThe karat of the scrap, casting sprue or old stock you are melting in with the first lot.14 K
Target karatThe karat you want to pour. In the US, 10K is the lowest that may be called gold.14 K

It returns

  • Karat of the metal on hand — The karat of the two lots combined, before any alloy or fine gold is added.
  • Fineness (parts per 1,000)
  • Gold by weight
  • Fine gold content
  • Master alloy to add — Gold-free alloy needed to bring the metal down to the target karat.
  • Fine gold to add — 24K gold needed to bring the metal up to the target karat.
  • Finished metal at target karat

The formula

K=24mAum
Kmix=m1K1+m2K2m1+m2
x=mKtK24Kt

In plain text: K = 24 · m_Au / m ; alloy to add = m · (K − K_t) / K_t

  • KKarat of the metal — parts of gold in 24 parts of alloy, by weight (karat)
  • m_AuMass of pure gold contained in the metal (g)
  • mTotal mass of metal on hand (g)
  • K_tTarget karat you want to pour (karat)

Karat is a mass ratio, so every term is a weight and the units cancel. Fineness is the same ratio expressed in parts per thousand: fineness = K ÷ 24 × 1000.

Updated Category Jewelry, Metalsmithing & Leather Verified against published test cases Reading time 13 min

What karat, fineness and percent gold each measure

Karat measures gold content as a fraction of 24 parts by weight. 18K metal is 18 parts gold and 6 parts something else — copper, silver, zinc, nickel, palladium — in every 24 parts of mass. It says nothing about colour, hardness or quality; a rose 18K and a white 18K carry identical gold content and completely different working properties.

Fineness is the same ratio written in parts per thousand, and it is the mark most of the world stamps. 18K becomes 750, 14K becomes 583.33 (stamped 585), 9K becomes 375. Because fineness is a decimal fraction it multiplies cleanly, which is why refiners, assay offices and this calculator all work in fineness internally and convert back to karat at the end.

Percent gold is fineness divided by ten. It is the friendliest number for explaining a price to a customer and the least useful at the bench, because nothing on your scale or your alloy packet is labelled in percent.

All three are weight ratios, never volume ratios. A gram of 14K gold and a gram of 14K white gold contain the same 0.5833 g of gold even though they occupy noticeably different volumes. If you need the volume side of that relationship, the jewelry metal weight calculator converts between dimensions, density and mass.

The three equations that run the melt

Everything on this page comes out of one idea: gold atoms are conserved in a melt. Nothing you add to the crucible creates or destroys gold, so the fine gold content of the pour equals the fine gold content of everything you put in.

Write that down and the first equation follows immediately. If you melt m₁ grams at K₁ karat together with m₂ grams at K₂ karat, the gold in the ingot is (m₁K₁ + m₂K₂)/24 grams and the ingot weighs m₁ + m₂ grams, so its karat is the weight-weighted average of the two karats. Weight-weighted, not a plain average: 10 g of 18K melted with 30 g of 14K gives 15K, not 16K, because three quarters of the mass came from the lower lot.

The second equation answers the everyday task — you have metal at karat K and you want karat Kt, so how much gold-free master alloy do you add? Conservation says the gold mass stays at m·K/24 while the total grows to m + x. Setting (m·K/24)/(m + x) = Kt/24 and solving gives

x = m · (K − Kt) / Kt

and the finished ingot weighs m · K / Kt. That second form is the one to memorise: the finished weight is your starting weight scaled by the ratio of the karats. Going from 24K to 12K exactly doubles the metal; going from 24K to 18K multiplies it by 24/18 = 1.333.

The third equation runs the other way. To raise metal from K to Kt you add x grams of fine gold, and the same conservation argument gives x = m·(Kt − K)/(24 − Kt). The denominator is what makes high targets expensive: at Kt = 22 the denominator is 2, so every karat point of lift costs half the starting weight in fine gold. At Kt = 24 the denominator is zero and the equation has no solution, which is the algebraic way of saying you cannot dilute your way to purity — only refining removes base metal.

Worked example: 20 g of fine gold down to 14K

You have 20.000 g of clean 24K casting grain and you want to pour 14K yellow. Every step below can be done on paper.

  1. Find the gold content. The metal is 24 karat, so all of it is gold: mAu = 20.000 × 24/24 = 20.000 g.
  2. Check the karat of what you have. K = 24 × 20.000 ÷ 20.000 = 24.00, fineness 1000, 100.00% gold.
  3. Work out the finished weight. The gold content is fixed at 20.000 g and it has to be 14/24 of the finished ingot, so the ingot weighs 20.000 × 24 ÷ 14 = 34.286 g.
  4. Subtract to get the addition. 34.286 − 20.000 = 14.286 g of master alloy. The direct formula gives the same thing: 20.000 × (24 − 14) ÷ 14 = 200 ÷ 14 = 14.286 g.
  5. Verify. 20.000 ÷ 34.286 = 0.58333, and 0.58333 × 24 = 14.00 karat. Fineness 583.3.

Now change the problem. Suppose instead of grain you have 10.000 g of 18K bench scrap and 30.000 g of 14K sprue, and you want 18K. Gold content is (10 × 18 + 30 × 14) ÷ 24 = (180 + 420) ÷ 24 = 25.000 g in 40.000 g of metal, so the mix sits at 24 × 25 ÷ 40 = 15.00 karat — below your target. Adding fine gold: x = 40 × (18 − 15) ÷ (24 − 18) = 120 ÷ 6 = 20.000 g of 24K, giving 60.000 g of metal holding 45.000 g of gold. Check: 45 ÷ 60 = 0.750 = 18 karat exactly.

Notice how much fine gold that took — 20 g added to 40 g of scrap. Raising karat is always dearer than lowering it, and that asymmetry is the whole reason bench jewelers keep low-karat scrap segregated from high-karat scrap instead of throwing everything in one pot.

Choosing a target karat, and what you are allowed to stamp

In the United States the floor is 10 karat. The Federal Trade Commission's Guides for the Jewelry, Precious Metals, and Pewter Industries (16 CFR Part 23) treat any description of an article as "gold" as deceptive below 10 karat, and the National Gold and Silver Stamping Act (15 U.S.C. §§294–300) makes a quality mark actionable if the article does not meet it. The Act allows a tolerance of 3 parts per thousand below the marked fineness for an article assayed without its solder, and 7 parts per thousand for one assayed with solder — a working margin, not a licence to under-karat.

Other markets set their own floors. The United Kingdom hallmarks down to 375 (9K), and 9K is the everyday commercial karat there. Continental Europe and much of Asia favour 750 (18K), the Gulf and South Asia buy 916 (22K) and higher. If you are making for export, the target karat is a market decision before it is a metallurgical one.

Working properties push in the opposite direction from purity. More base metal means a harder, stronger, more castable alloy that holds a bright polish and takes stone setting without the prongs creeping; more gold means a softer, richer-coloured metal that resists tarnish. 14K is the American compromise for everyday jewelry, 18K the international compromise for fine work, and 22K a metal you set stones in only with care.

One number deserves a second look before you pour: the finished mass. Alloying 24K down to 10K nearly two and a half times your metal, and a crucible sized for 20 g will not hold 48 g. Read the finished-mass output before you light the torch, and check that your ingot mould, flask and scale range all cover it.

Karat, fineness and gold content

Fineness is karat ÷ 24 × 1000; the common stamp is the truncated value. Multiply the last column by a piece's weight to get its gold content.
KaratExact finenessUsual stampGold by weightGold per gram of alloy
24K1000.00999 / 9999100.00%1.0000 g
22K916.6791691.67%0.9167 g
21K875.0087587.50%0.8750 g
20K833.3383383.33%0.8333 g
18K750.0075075.00%0.7500 g
15K625.0062562.50%0.6250 g
14K583.33585 / 58358.33%0.5833 g
12K500.0050050.00%0.5000 g
10K416.6741741.67%0.4167 g
9K375.0037537.50%0.3750 g
8K333.3333333.33%0.3333 g

10K is the lowest that may be described as gold in the United States; the UK hallmarks to 375 and Germany historically marked 333.

Which fineness the stamp actually shows

14K is exactly 583.33 parts per thousand, yet nearly every modern 14K piece is stamped 585. That is not a rounding error in the wrong direction — it is deliberate. A mark must not overstate the metal, so manufacturers alloy slightly rich, to about 585, and stamp what the metal actually assays. The same logic gives 10K articles a 417 stamp against an exact 416.67. Set your target a fraction above the nominal karat if you intend to stamp a fineness mark, and assay the pour before you strike it.

Mistakes that spoil a pour

  • Averaging karats instead of weighting them. Melting 10 g of 18K with 30 g of 14K gives 15K, not 16K. Always weight by mass.
  • Trusting the stamp on unknown scrap. Plated, filled and under-karated goods all carry marks. Touchstone-test or assay anything you did not make yourself before it enters a calculation.
  • Ignoring solder seams. Old repairs are often several karats below the body of the piece, and easy solder can carry cadmium or zinc that will fume and change your alloy. Cut seams out of anything destined for a clean melt.
  • Forgetting melting loss. Flux, oxide skull and the crucible itself keep a little metal. Weigh the ingot after the pour and recompute rather than assuming the calculated finished mass appeared.
  • Adding master alloy meant for a different colour. Yellow, white, red and green master alloys all bring the karat to the same place and the colour to very different ones. Match the alloy to the colour you want.
  • Alloying white gold with a nickel master without checking the market. The EU restricts nickel release from items in prolonged skin contact; palladium-based white master alloys avoid the issue entirely.
  • Sizing the crucible for the starting weight. Going from 24K to 10K multiplies your metal by 24/10. Read the finished-mass figure first.

What this calculator assumes, and what it cannot see

The arithmetic assumes your karat figures are true gold content by weight, that the master alloy contains no gold, and that nothing is lost or gained in the melt. Those three assumptions cover most bench work and none of them is automatically true.

It does not model karat solder, which does carry gold and must be entered as a lot of its own karat if it goes into the crucible in any quantity. It does not model melting loss, oxidation of zinc or the segregation you get when a heavy addition is stirred in badly. It says nothing about colour, melting range, casting temperature, grain size or work-hardening behaviour — for those you need the alloy manufacturer's data sheet, not a ratio.

It also assumes a single-phase homogeneous result. Adding a large mass of cold alloy to a small melt can freeze the pool and leave you with an ingot that assays differently at each end. When the addition is a multiple of the starting weight, melt the alloy first and add the gold to it.

Finally, karat is not value. To turn gold content into money at today's spot, use the scrap gold and silver value calculator, which handles troy weight, payout percentages and the difference between melt value and what a buyer will actually hand over.

Where this sits among the other bench calculations

Karat math is the first step in a chain. Once you know the karat and the finished mass you can size the stock: the ring blank length calculator turns a ring size and a stock thickness into the length of metal to cut, and the jewelry metal weight calculator converts sheet, wire, tube or a wax model into grams and pennyweight so you know how much to pour.

If you work in industrial rather than precious metals, the same conservation argument appears with different names — a metal weight calculator handles density-based weight for structural stock, and a scrap metal value calculator prices mixed loads by grade rather than by fineness.

Beyond arithmetic, three documents do the real work. ISO 9202 defines the recognised fineness grades for precious metal alloys internationally. The FTC Jewelry Guides govern how you may describe and mark gold in US commerce. And the assay report from an accredited laboratory is the only thing that settles a dispute about what a piece actually contains — a touchstone streak is a screening test, an X-ray fluorescence reading is a surface measurement, and neither is an assay.

Key terms

Karat (K, kt)
Parts of gold in 24 parts of alloy by weight. Distinct from carat (ct), which is a gemstone mass unit equal to 0.2 g.
Fineness
Gold content in parts per thousand by weight. 750 fineness is 18 karat. The standard mark in most of the world.
Master alloy
A pre-mixed, gold-free blend of copper, silver, zinc and other metals sold to bring fine gold to a target karat and colour.
Fine gold
Gold of 24 karat, commercially 999 or 9999 fineness. The reference point for every karat calculation.
Assay
A quantitative laboratory determination of precious metal content, classically by fire assay (cupellation). The legal benchmark for a fineness claim.
Melting loss
Metal not recovered from a melt — held in flux, oxide skull, crucible walls and spatter. Measured by weighing before and after.

Frequently asked questions

How do I convert karat to percentage of gold?

Divide the karat by 24 and multiply by 100. 18K is 18 ÷ 24 × 100 = 75.00% gold; 14K is 58.33%; 10K is 41.67%. To go the other way, multiply the percentage by 0.24: a piece assaying 62.5% gold is 15 karat. Fineness sits in between — it is the same ratio in parts per thousand, so 75.00% is 750 fine.

How much alloy do I add to turn 24K into 18K?

Add one third of the starting weight. The finished ingot weighs your starting weight × 24/18 = 1.3333 times, so 30 g of fine gold becomes 40 g of 18K and the addition is 10 g of master alloy. In general the addition is m × (24 − Kt) ÷ Kt, which for an 18K target is m × 6/18 = m/3.

What karat do I get if I melt 14K and 18K together?

Something between the two, weighted by mass rather than by count. Equal weights of 14K and 18K give exactly 16K. Ten grams of 18K with thirty grams of 14K gives 15K, because three quarters of the metal came from the 14K lot. Enter both lots above and the mix karat is calculated for you before any addition is worked out.

Can I turn low-karat gold into 24K by adding fine gold?

No. Each addition of fine gold moves the karat closer to 24 but never reaches it, because the base metal that was there at the start is still there. The formula shows it: the fine gold needed is m × (Kt − K) ÷ (24 − Kt), and the denominator goes to zero at a target of 24. The only route to fine gold is refining — inquartation and parting with nitric acid, aqua regia, or electrolysis — which removes the base metal rather than diluting it.

Why is 14K stamped 585 when the math says 583.33?

Because a quality mark must not overstate the metal. Manufacturers alloy a little rich, to roughly 585 parts per thousand, and stamp the fineness the metal actually assays. The same happens at 10K, where an exact 416.67 is marked 417. The US National Gold and Silver Stamping Act permits an article to run 3 parts per thousand under its mark when assayed without solder, and 7 parts per thousand with solder.

Does the colour of the gold change these numbers?

Not at all. Yellow, white, rose and green golds of the same karat contain identical gold by weight; only the balance of copper, silver, zinc, nickel or palladium differs. Colour changes density, melting range, hardness and how the metal work-hardens, so it changes the volume a given weight occupies and how it behaves at the bench — but never the karat arithmetic.

Do I need to account for melting loss?

Yes, by weighing rather than by estimating. Some metal always stays in the flux, the oxide skull and the crucible, and volatile alloying elements such as zinc can burn off in an overheated melt. Weigh the ingot after the pour, enter that real weight as your lot mass, and recompute before making a second addition. Do not build a fudge factor into the target karat — it hides the loss instead of measuring it.

What is the lowest karat I can legally call gold?

In the United States, 10 karat. The FTC Jewelry Guides at 16 CFR Part 23 treat calling anything below 10K "gold" as deceptive, and a quality mark on an article is enforceable under the National Gold and Silver Stamping Act. The floor differs elsewhere: the UK hallmarks down to 375 (9K), and 8K (333) goods have historically circulated in parts of continental Europe. Check the rules of the market you are selling into, not the one you are working in.

Should I use karat solder as part of the melt?

Only if you enter it as its own lot at its own karat. Karat solders contain gold — usually a few karats below the metal they join — plus zinc and sometimes cadmium in older stock, both of which fume when overheated. For a clean, predictable pour, cut solder seams out of scrap and refine them separately rather than guessing at their contribution.

References

  • Guides for the Jewelry, Precious Metals, and Pewter Industries, 16 CFR Part 23 — U.S. Federal Trade Commission
  • National Gold and Silver Stamping Act, 15 U.S.C. §§294–300 — United States Congress
  • ISO 9202: Jewellery and precious metals — Fineness of precious metal alloys — International Organization for Standardization
  • The Complete Metalsmith: Professional Edition — Davis Publications (Tim McCreight)
  • Professional Goldsmithing: A Contemporary Guide to Traditional Jewelry Techniques — Van Nostrand Reinhold (Alan Revere)